Original film soundtracks have never been considered a potential source of profit by mainland Chinese filmmakers. Their movies, especially the big-budget blockbusters, favour orchestral scores to leave the viewer breathless with emotion during key scenes. Taiwanese and Hong Kong films tend towards gentle, sweet tunes to convey more subtle sentiments. There is, unfortunately, a serious lack of Chinese rock ‘n’ roll films (besides the rather disappointing Beijing Rocks) which, in the West, have long been reliable sources of great movie soundtracks. Tsui Hark’s underrated 1993 period drama, an adaption of classic Chinese fairytale The Legend of Madame White Snake (白娘子传奇), tells the story of two lycanthropic snake sisters (one white; one green) journeying to the world of humans and falling in love with two moral men.
The relationships are further complicated, as if that was necessary, by the scheming Buddhist monk Fat Hoi. Green Snake’s soundtrack is a collection of operatic scores and love ballads inspired by traditional Han Chinese instrumentations (mostly from the Song Dynasty) and Buddhist music offering a real flavour of exoticism. Known as the frontman of pop metal band Black Panther and, in entertainment circles, Mandopop superstar Faye Wong’s ex-husband, Dou Wei’s music is regarded as critically untouchable.
This soundtrack album, composed for Ma Liwen’s emotional drama centring on an art student and her elderly landlord, brings Dou and his frequent collaborators Kai Shuo and Wu Na (collectively known as a project called Mu Liang Wen Wang 暮良文王) together for an instrumental meditation on Beijing’s peaceful hutongs. As the notes of guqin gently echo between the dialogue and atmospheric sounds in each track (divided by scenes), the listener is skillfully drawn into the world of the movie’s protagonists. Chen Kaige’s Cannes-winning epic gathers some of the brightest stars from popular music and Peking opera spheres. Composer Zhao Jiping was behind several Fifth Generation films including Zhang Yimou’s Raise The Red Lantern (1991) and To Live (1994). True to form, his pieces are heavy and operatic with the exception of the final song from Taiwan’s Sandy Lam and Jonathan Lee that is a tender love ballad.
The soundtrack also features several famous Peking Opera and Kunqu songs performed by Wen Ruhua, a top operatic singer and Leslie Cheung’s Peking opera instructor in the film. Hong Kong director Pang Ho-cheung’s romantic comedy inspired by the city’s smoking ban gave him a big break on the mainland.
It was, however, a waste of his talent as an out-of-box-thinking filmmaker - check out his earlier, more experimental works like AV and Exodus. The soundtrack, on the other hand, is a light breeze next to the heavy selections we’ve made so far. Completely free of the Cantopop stereotypes, Alan Wong and Janet Yung composed a chilled-out collection of summery bossa nova, French repertoires and Cuban waltz. Highly recommended. Another symphonic piece to give you goosebumps, The Sun Also Rises was director Jiang Wen’s box office catastrophe, and a playground for his wildest dreams. A crazy woman building pebble-dashed shelter in the middle of nowhere, a wild bonfire party found by wanderers on a desert safari, a speeding train stopped by a baby lying on railway tracks - all are vividly reflected in the soundtrack.
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Composed by renowned Japanese composer Joe Hisaishi, a regular collaborator with Hayao Miyazaki and Takeshi Kitano, the orchestral chapters are as powerful as they can be sentimental, and the beautifully sung Xinjiang folk songs only add to that trophy.
Title: Colourful Bone / Yan Gu / 艳骨 Episodes and Genre: 53, Historical Fiction Broadcast Period: December 27, 2017 Youku Starring: as Jing Shu as Lue Ying (Death Warrior) Synopsis: The Prime Minister of Tianchu is revered and feared for his power over Tianchu as he has control over the nation until the Crown Prince becomes King. His only weakness is his goddaughter Jing Shu whom he sends into hiding. In order to save the life of a mysterious death warrior, she agrees to use the art of painting skin to change one person's identity and their lives have become intertwined ever since. Comments: It's a little known web drama with a very interesting premise. The main guy has superhuman skills and happens to be a specially-trained death warrior. The leading lady can paint skin. Based on that alone, I suggest giving this a try.
Is it a must-watch, pretty good, just another drama, tolerable or downright boring? Title: Nirvana in Fire 2 / Lang Ya Bang 2 / 琅琊榜2风起长林下部 Episodes and Genre: 50, Historical Broadcast Period: December 18, 2017 Dragon TV, Zhejiang TV Starring: as Xiao Ping Zhang as Xiao Ping Jing as Meng Qian Xue as Lin Xi Synopsis: The story follows Xiao Ping Jing, a student of Langya Hall who investigates the death of his brother. The plot is framed after the original in some ways given that it also talks about a family of great warriors that fall due to a conspiracy.
Comments: Ratings have been less than ideal but general feedback seems to be nothing but positive from Huang Xiaoming who is surprisingly getting praise rather than flak for once to rising star Liu Hao Ran who is excelling as the young hero. Title: A Love So Beautiful / Zhi Wo Men Dan Chun De Xiao Mei Hao / 致我们单纯的小美好 Episodes and Genre: 24, Romance Broadcast Period: November 9, 2017 Starring: as Chen Xiao Xi as Jiang Chen Synopsis: A story about youth, the friendships formed and the flutters of a having a crush as it revolves around a romance between an student and her tall, intelligent and handsome classmate. Gazab ka hai din socho zara song download.
Comments: Most people tell me that this is a cute drama. Even if it's not your cup of tea, it's probably still cute. The show made rising stars out of Hu Yi Tian and Shen Yue and put their name on the map. Title: Tribes and Empires Storm of Prophecy / Jiu Zhou Hai Shang Mu Yun Ji / 九州海上牧云记 Episodes and Genre: 75, Fantasy Broadcast Period: November 21, 2017 iQiYi, Youku, Tencent Starring: as Muyun Sheng as Muru Hanjiang as Shuofeng Heye Synopsis: A fantasy adventure story set in the world of Novoland that follows three major characters - a prince who is half-human and half-demon, the son of a general who has been abandoned by his own family and a future leader of a Northern tribe. Comments: Spectacular beginning that will leave you awestruck though it doesn't last till the end. The Advisors Alliance Season 1 and 2. Title: Nothing Gold Can Stay / Na Nian Hua Kai Yue Zheng Yuan / 那年花开月正圆 Episodes and Genre: 74, Republican Era, Business, Romance, Drama Broadcast Period: August 30, 2017 Dragon TV, Jiangsu TV Starring: as Zhou Ying as Shen Xing Yi as Wu Pin as Zhao Bai Shi as Hu Yong Mei Synopsis: A story about a woman who rises in the business world to become the richest woman in Shanxi.
Zhou Ying is sold by her father to the Shen family as a servant where she meets a spoiled-rotten young master who has a lot of manning up to do. She also meets Wu Pin, a kind man who helps her without asking for anything in return. Comments: Ratings breaking past 3.0% don't lie, it must be that good.
Title: The King's Woman / Legend of Qin 2 / Li Ji Zhuan / 秦时丽人明月心 Episodes and Genre: 48, Historical Romance, Wuxia Broadcast Period: August 14, 2017 Zhejiang TV Starring: as Gongsun Li as Ying Zheng (Qin Emperor) as Jing Ke as Han Shen Synopsis: Gongsun Li grew up with her martial arts seniors Jing Ke and Han Shen under the tutelage of her grandfather Gongsun Yu who is a general of the Wei Kingdom. The limitless ambition of the Qin Kingdom destroys the life that they know, yet fate brings her into the inner palace to become the woman of Ying Zheng.
Comments: Click for more. Monster Killer Season 2. Title: Monster Killer 2 / Wu Xin Fa Shi 2 / 醉玲珑 Episodes and Genre: 20, Fantasy, Action, Romance Broadcast Period: August 14, 2017 QQ, Sohu Starring: as Wu Xin as Ding Xiao Mao / Ye Qiluo Li Lan Di as Su Tao as Gu Ji as Bai Liu Li Synopsis: The sequel to the fantasy adventure about a man who never can never die begins again as Wu Xin wakes from a long slumber to resume his mantel as the monster killer. He meets new friends along the way, yet they remind him of a past that he can no longer remember. Comments: Click for more.
Title: Lost Love in Times / Drunken Exquisiteness / Zui Ling Long / 醉玲珑 Episodes and Genre: 56, Fantasy Romance, Palace Politics Broadcast Period: July 13, 2017 Dragon TV Starring: as Yuan Ling as Feng Qing Chen Qiao as Yuan Zhan Synopsis: Feng Qin Chen is a sorceress of Li Jing Tian who becomes the sole survivor of a tragedy that destroyed everything that she knew. Determined to find out the truth, she enters the palace and becomes embroiled in a complicated political battle amongst the princes of the kingdom. Comments: Click for more.
The First Half of My Life. Title: The First Half of My Life / Wo De Qian Ban Sheng / 我的前半生 Episodes and Genre: 42, Romance Broadcast Period: July 4, 2017 Dragon TV and Beijing TV Starring: as He Han as Luo Zijun Synopsis: Luo Zijun is a housewife-turned-divorcee who is forced to restart her life. Her bestfriend who is an accomplished career woman encourages her boyfriend He Han to help Zijun while he was on leave. Through the help of friends and family, Zijun slowly makes progress, yet she and He Han end up falling for each other. Comments: Click for more.
Rush to the Dead Summer. Title: A Life Time Love / Long Zhu Chuan Qi / Once Promised / 上古情歌 Episodes and Genre: 54, Fantasy Romance Broadcast Period: June 12, 2017 Dragon TV and Tencent QQ Starring: as Chi Yun as Mu Qing Mo as Ling Yun Cheng Lun Synopsis: Chi Yun is a warrior who grows up in the wilderness. He falls for Mu Qing Mo, a proper maiden from a prominent family, yet their romance is full of trials and tribulations. Lin Yun Cheng Lun is the fiancee of Mu Qing Mo who once promised to let her go for the sake of her happiness but he reneges on that promise because he falls for her too.
Comments: Click for more. Princess Agents. Title: Princess Agents / Chu Qiao Zhuan / 楚乔传 Episodes and Genre: 68, Historical Broadcast Period: June 5, 2017 Hunan TV Starring: as Chu Qiao as Yuwen Yue as Yan Xun as Zhao Chun Er as Yuwen Huai Synopsis: During the Western Wei, Chu Qiao is a slave girl forced to become human prey for a group of nobles hunting for sport. Yan Xun saves her and takes a particular interest towards her as she is sent to the Yuwen Household to serve her new masters. She experiences all the cruelties that the world has to offer and swears to avenge the death of her loved ones. She forges a friendship with Yan Xun who later trudges down a treacherous path because of the demise of his family. She trains under Yuwen Yue who goes from a heartless man that only sees her as a weapon to someone who truly cares for her well-being.
Comments: Click for more. Legend of Dragon Pearl. Title: Legend of Dragon Pearl / Long Zhu Chuan Qi / 龙珠传奇 Episodes and Genre: 62, Historical, Palace Romance Broadcast Period: May 8, 2017 Beijing TV and Anhui TV Starring: as Li Yi Huan / Zhu Yi Huan as Kang Xi as Zhu Ci Xuan as Xue Qing Cheng Synopsis: Zhu Yi Huan is the last princess of the Ming Dynasty. She captures the heart of Emperor Kangxi while he is on a trip outside the palace, yet their identities as the descendants of two warring dynasties threaten to tear them apart. Comments: Click for more. Ode to Joy 2. Title: Above the Clouds / Yun Dian Zhi Shang / 云巅之上 Episodes and Genre: 49, Romance Drama Broadcast Period: Feb.
23, 2017 iQiYi Starring: as Tang Fei as Jian Xi Synopsis: Jian Xi is a small-town girl who travels to the city in search of her birth mother. She aspires to become an actress and meets top star Tang Fei who is self-absorbed and jaded by fame. The two eventually fall in love but the world of show business is a difficult place to be, full of intrigues and backstabbing. Comments: Click for more. Fighter of the Destiny. Title: Fighter of the Destiny / Ze Tian Ji / 择天记 Episodes and Genre: 55, Fantasy Adventure Broadcast Period: Apr.
17, 2017 Hunan TV Starring: as Chen Changsheng as Xu You Rong as Luo Luo Synopsis: Chen Changsheng is the prince and heir to a magical bloodline but he was abandoned as an infant after his mother harnessed his powers to defeat a greater evil. Years later, he is a young man living in seclusion with his master and his martial arts senior. His lineage has gifted him with the ability to save others with a drop of blood, yet it is also his downfall and the reason why he cannot live past the age of 20. In order to change his fate, he leaves home determined to top the state exams and gain entry to a place that may have the cure for his condition. He brings along a marriage contract and begins his journey into the world. Comments: Click for more.
Title: Surgeons / Wai Ke Feng Yun / 外科风云 Episodes and Genre: 45, Medical Drama Broadcast Period: April 17, 2017 Beijing TV and Zhejiang TV Starring: as Zhuang Shu as Lu Chen Xi as Chen Shao Cong as Yang Fan as Yang Yu Synopsis: Zhuang Shu is skilled surgeon finds employment in a hospital motivated by the events 29 years ago that resulted in the death of his mother. He meets Lu Chen Xi and their relationship grows into one of mutual respect and love.
Comments: Click for more. Available with eng subs on. In the Name of People. Title: In the Name of People / Ren Min De Ming Yi / 人民的名义 Episodes and Genre: 55, Political Broadcast Period: March 28, 2017 Hunan TV Starring: as Hou Liang Ping as Sha Rui Jin as Li Da Kang as Qi Tong Wei as Gao Yu Liang as Lu Yi Ke Synopsis: A whistle blower reports that a government official has been accepting bribes in the amount of tens of thousands. When anti-corruption bureau head Hou Liang Ping starts his investigation, he is greeted by a seemingly harmless man leading a life no different from an 'old farmer', yet the moment he unmasks the truth is also the moment he realizes that he has barely touched the tip of the iceberg.
Comments: Click for more. Because of Meeting You.
Title: Because of Meeting You / Yin Wei Yu Jian Ni / 因为遇见你 Episodes and Genre: 56, Romance Drama Broadcast Period: Mar. 2, 2017 Hunan TV Starring: as Zhang Guo Guo as Li Yun Kai as Zhang Yu Xin as Li Yun Zhe Synopsis: Zhang Guo Guo is the granddaughter of a well-to-do family famous for their talent for embroidery. As fate would have it, she is separated from her parents as a young child and ends up being adopted by a wonton shop owner who has a daughter of her own. She grows into a bright cheerful girl and soon discovers a passion for embroidery.
However, her stepsister also pursues the same path thus beginning a rivalry complicated by the appearance of two brothers. Comments: Click for more. The Starry Night The Starry Sea. Title: The Starry Night The Starry Sea / Na Pian Xing Kong Na Pian Hai / 那片星空那片海 Episodes and Genre: 32, Fantasy Romance Broadcast Period: Feb 6, 2017 Hunan TV Starring: as Wu Ju Lan as Shen Luo Synopsis: Wu Ju Lan is a merman who only has three months left to live unless he is able to retrieve the dragon pearl that was stolen from him 150 years ago.
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Determined to get it back, he travels to a small town where he meets and falls in love with a young woman named Shen Luo. Comments: Click for more. Available with english subs on. Three Lives Three Worlds Ten Miles of Peach Blossoms. Title: Three Lives Three Worlds Ten Miles of Peach Blossoms / Eternal Love / San Sheng San Shi Shi Li Tao Hua / 三生三世十里桃花 Episodes and Genre: 50, Fantasy Romance Broadcast Period: Jan 30, 2017 Dragon TV and Zhejiang TV Starring: as Bai Qian / Su Su / Si Yin as Ye Hua / Mo Yuan / Liu Ying as Zhe Yan as Bai Feng Jiu as Dong Hua as Chi Jing as Bai Zhen Synopsis: A romantic fantasy tale following Bai Qian a beautiful goddess who jumps to her death after she is tricked into believing that Ye Hua, her lover has betrayed her.
Hundreds of years later, the two meet again however Bai Qian’s no longer remembers Ye Hua. Although many years have passed, Ye Hua recognizes Bai Qian and is longing to rekindle their romance. Comments: Click for more. Available with english subs on. Title: Legend of the Condor Heroes / She Diao Ying Xiong Zhuan / 射雕英雄传 Episodes and Genre: 56, Wuxia Broadcast Period: Jan 9, 2017 Dragon TV and iQiYi Starring: as Guo Jing as Huang Rong Synopsis: Guo Jing and Yang Kang are the descendants of honorable men and destined to become brothers yet a tragedy forces them to lead disparate lives.
Guo Jing grows up to be honest kind-hearted yet dim-witted while Yang Kang is cunning and power hungry. Due to a chance encounter, Guo Jing meets the clever and mischievous Huang Rong, thus beginning his journey to become a martial arts hero. Comments: Click for more. Love & Life & Lie. Title: Magic Star / Qi Xing Ji / 奇星记之鲜衣怒马少年时 Episodes and Genre: 51, Fantasy Adventure Broadcast Period: Jan 3, 2017 Youku Starring: as Zhan Xiong Fei as Bai Ze as Ah Ji Ya as Zi Su Deng Shao Wen as Yuan Shuai Synopsis: It is said that at the cusp of troubled times, magic stars will fall from the sky to allow humanity the chance to restore order.
Bai Ze is tasked by the emperor to find said stones and he ends up meeting troublemakers Zhan Xiong Fei and Yuan Shuai, thus forming an inseparable friendship along the way as they embark on an adventure together with Zi Su and Ah Ji Ya. Comments: Click for more. Title: General and I / Gu Fang Bu Zi Shang / 孤芳不自赏 Episodes and Genre: 50, Romance, Historical Broadcast Period: Jan 2, 2017 Hunan TV Starring: as Chu Bei Jie as Bai Pin Ting as He Xia as Princess Yao Tian Synopsis: The four nations Jin, Yan, Liang and Qin are in a state of relentless war. Chu Bei Jie, the king of Jin's brother, is a courageous warrior who leads his country into a position of power against the other kingdoms. During a fight between Jin and Yan, Jing An Wang and his family fall to a conspiracy leaving He Xia and Bai Pin Ting to fend for themselves. Chu Bei Jie rescues Bai Pin Ting by chance and it ignites the beginning of a complicated romance.
Comments: Click for more. Pretty Li Hui Zhen. Title: Pretty Li Hui Zhen / Piao Liang De Li Hui Zhen / 漂亮的李慧珍 Episodes and Genre: 40, Romantic Comedy Broadcast Period: Jan 2, 2017 Hunan TV Starring: as Li Hui Zhen as Bai Hao Yu as Lin Yi Mu as Xia Qiao Synopsis: The Chinese remake of She Was Pretty tells the story of Li Hui Zhen, a kind and charming young girl who befriends Bai Hao Yu, the chubby kid next door often bullied for his appearance. After years apart, the two meet again but Hui Zhen has lost her beauty and confidence while Bai Hao Yu has returned as a handsome and successful editor of a publishing company. Comments: Click for more.
So, Anne, i finally started watching Three Lives, Three Worlds, Ten Miles of Peach Blossoms in earnest. I am currently on episode 27, and. I don't know if it's because of the current depressed mood I'm in, life kicking my butt with more exams starting next week, or left over trauma from Princess Agents, but my goodness this show is terrible. Wayyyyy too many missed meetings, keeping info, self-inflicted masochism and angst (if we cut down on all the misunderstandings and narrow missed meetings, this show would have ended in 30 episodes).
Annoying characters (that SuJin, XuanNu, and Zhang BinBin - but the number 1 is Feng Jiu). I also don't particularly like YeHua or Bai Qian (who's not the sharpest tool in the shed, esp as SuSu). The whole thing is boring. But then again, I was the one who liked Princess Agents (at least the initial episodes). My taste is very suspect nowadays.
So I suspect the problem is me, and the rest of you are right. And also, I miss Mo Yuan onscreen a lot. He's my absolute favorite character and I want Bai Qian to stay far away from him. She don't deserve him. She should be with Ye Hua. Lol i really don't know what to say.
I love TMOPB so much, and fell in love with not just the main couple but everyone in it. Yehua is the best guy on earth, in the heavens in all the realms. Sure, Mo Yuan is too coz he's basically played by the same guy:) Bai Qian is badass when she's thinking straight, and I actually like Feng Jiu even though I get why she'd be annoying.
That said, you may be in the minority but you are not alone even though I still can't comprehend haha. It's totally normal to have different tastes. Drama talk aside, hope real life gets better for you soon.
Anonymous So i started became interested in Cdrama because of Ten Miles of Peach Blossom which my friend had recommended me to watch. Initially i didn't find the hype of watching it along with my other friends and actually delayed on watching it, and also, i dislike watching shows which are over 20 episodes (so technically i'm a kdrama fan). Finally one day, i was bored and had nothing to do so i decided to embark on the long 58 episodes long drama, and.it was.real good! Even though i've watched Love o2o before, i find that it was a sweet high school romance drama, very uplifting to watch, but to Ten Miles, the feeling's different. From then on i started searching for historical romance dramas to watch, something like Princess Weiyoung, Eternal Love, Journey of Flower(omg). Till now, i still find that chinese dramas are still way too long for me, i have the urge to watch but i'd rather download it first then watch because i skip all draggy parts.
But then again.i just came back from watching Nothing Gold can stay, sigh, i fell too deeply in cdrama land now. Anonymous Just popping in, Chinese Drama has so many great stories. Some maybe heavy but still you will get hook to it. Some are very light but entertaining bringing you out from reality and helps you getting over from stress either from school or work. But the only thing is, the subtitles. It would take months before you come across with good subtitles in it. Especially nowadays, there are really good dramas but you have to wait a few months to watch it with subs.
But still, thanks to those who are working hard for the subtitles. Nevertheless, its all good.
Waiting will kill you (lol) I suggest watching 1. Boss and Me 2. When a Snail falls in love 3. Love me if you dare (watched if for the nth time - the lead roles are really cute - a serious guy trying to be cute haha) 4. The Princess Weiyoung, 6.
A Love so beautiful, 7. Medical Examiner Dr.
Hero (2002) wuxia (ˈwuːˌʃiːˈɑː) noun. A genre of Chinese fiction and film, concerning the adventures of sword-wielding chivalrous heroes Before kung fu, there was wuxia.
Before cinema, there was wuxia. A widely encompassing term – literally translated as martial (wu) chivalry (xia) – what was made famous in the west as a subgenre of martial arts cinema, finds its roots in seventh-century romantic literature and poetry, evolving through hundreds of years of oral and written tradition.
Do i need something to be installed before accessing the parallel port? Make the cut 4.1.0 keygen. So I searched and found your article, y downloaded the library and declared the functions. I'm using wnndows 2000 professional sp2 please plz plz help its urgent --your help means alot! Fradique Lee 1-Jun-09 8:35 1-Jun-09 8:35 Hi, great article, I have been working with parallel port in windows 98, but I needed a break of that OS. But it is not working and I don’t know what’s wrong.
The anti-Confucian value systems of wuxia literature, with their emphasis on the attainment of personal freedom, saw much of it repressed and reconfigured throughout history. The same went for its early cinematic incarnations, the Chinese government banning production in the 1930s as a means of protecting the young against moral corruption. It would re-emerge 20 years later, but with strictly enforced moral codes in place, and it wouldn’t be until the late 60s that the genre would truly come into its own, with the modern wuxia film born under the guidance of the milestone films of and.
A genre as synonymous with the supernatural and the philosophical as the codes of honour and justice under which its heroes fight, it’s often characterised as much by its melancholy romanticism as by its fantastical, high-flying clashes of sword and fist. 10 to try Each of the recommendations included here is in the UK.
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So, when BFI Southbank celebrated a Buddha’s Fist-ful of Chinese genre classics in 2015, we took to the treetops to seek out 10 sword ’n’ sorcery gems from the wuxia genre. One-armed Swordsman (1967) Director Chang Cheh. The One-armed Swordsman (1967) It’s difficult to underestimate the influence Chang Cheh’s classic would have on the Chinese martial arts film.
Taking its thematic cues as much from Japanese samurai films as the American western, One-armed Swordsman sees Chang lift the in-house Shaw Bros studio-shot aesthetic to new levels of artifice and abstraction. In its baroque orchestrations and macho codes (laced with a liberal dash of Freud), it’s the antithesis of the other film that kickstarted the wuxia wave in the late 60s, King Hu’s female-centric, released the previous year. The film made a star out of leading man Jimmy Wang Yu, and while his acting chops were never going to turn him into the next James Dean as Chang had hoped, the film’s many sequels and spin-offs still saw him become an icon of alienated youth in his native China. Dragon Inn (1967) Director King Hu. Dragon Inn (Long men kezhan, 1967) If you’re familiar with the work of the great Taiwanese filmmaker Tsai Ming-liang, you’ll have caught snatches of King Hu’s wuxia masterpiece illuminating the fumbled passes of a picture palace’s dying days in Goodbye Dragon Inn (2003). A director to rank alongside the greats, Hu’s influence was far-reaching, and he was as in command of the exquisite compositions of his widescreen vistas as the Hawksian group dynamics of his Inn trilogy’s confined spaces. Yet in keeping with his adoration for the Beijing Opera, Hu’s is a cinema of movement.
One could discuss the evolution of the wuxia genre purely in terms of its approach to film editing, and critic David Bordwell has written brilliantly on Hu’s pioneering technique. Unifying the historical, cultural and philosophical preoccupations of wuxia’s literary antecedents with a progressive, slyly allegorical modernism, Hu’s cinema proves that genre and great art needn’t be mutually exclusive. A Touch of Zen (1971) Director King Hu. Last Hurrah for Chivalry (1979) poster Guns weren’t always ’s weapon of choice. Before he became the dove-bothering godfather of the new wave of Hong Kong action cinema in the 80s and 90s with the likes of A Better Tomorrow (1986) and The Killer (1989), Woo earned his stripes on the roster of Golden Harvest as one of the studio’s go-to guys, directing over a dozen features for the studio in its heyday.
His violent period piece Last Hurrah for Chivalry represents one of his better earlier efforts, offering more in its rehearsals for the thematic and aesthetic tics that would come to define his mature style than it does in its by-numbers narrative. Woo doesn’t spare on the claret, his slow-mo-enhanced sword fights and early take on notions of honour and duty prefiguring his symphonic elevations of violence to come.
Swordsman II (1992) Director Ching Siu-tung. Swordsman II (1992) Offering a directing gig to King Hu, whose career had since fallen into the doldrums, Swordsman (1990) was ’s opportunity to both work with and pay homage to his hero. It didn’t end well, with the legendary director barely lasting a fortnight on the project, the film quickly becoming sullied by extensive reshoots and the patchwork effect of its five subsequent directors. So as Confucius (probably) said: be thankful for second chances. Picking up where its progenitor left off, yet superior in just about every respect, Swordsman II is a furiously paced wuxia epic par excellence.
Directed by Ching Siu-tung – from a script by Tsui – in the backlit, wind-machine enhanced default aesthetic register familiar from many an early 90s Chinese genre movie (think Bonnie Tyler music video as directed by ), it’s a high-flying, ninja star-riding, gender-bending adrenaline rush of swords ’n’ sorcery. Eagle Shooting Heroes (1993) Director Jeffrey Lau. Eagle Shooting Heroes (1993) The two contemporaneous films on this list adapted from Louis Cha’s epic Condor Trilogy couldn’t be more different. Utilising his cast for a quick shoot during production downtime on his more serious-minded adaptation, Ashes of Time, intended Eagle Shooting Heroes as a means of damage limitation when his protracted main project began spiralling over budget. Directed by Ashes producer Jeffrey Lau, it’s a seemingly amphetamine-fuelled wuxia parody of unparalleled insanity.
Any attempt to follow the film’s plot proves an exercise in frustration, yet so manically unhinged is its every sequence, it’s impossible not to get swept along by its effervescent pledge to stick two fingers up to every wuxia (and cinematic) convention. Besides, you won’t find many other opportunities to see pretending to be a duck. It’s a riotously camp extravaganza like little else, and if you make it as far as the scene in the cave with the gorilla, the dinosaur and the parrot, you’ll know that resistance is ultimately futile. Ashes of Time (1994) Director Wong Kar-wai. Ashes of Time (1994) So protracted was the production period of Ashes of Time, that not only did Wong Kar-wai find time to produce Eagle Shooting Heroes, he also managed to squeeze a masterpiece into a break in editing in the form of (1994). He was still tinkering with the film a dozen years later, tightening and wholly reshaping his oblique epic into the blazing restoration of the more widely-seen redux cut.
A dazzlingly impressionistic ode to wuxia, it’s the most elliptical and narratively challenging of Wong’s films. Taking little from Louis Cha’s source novel beyond its solitary archetypes, Ashes of Time offers a temporally fragmented vision of lost loves, glinting blades and sand-blasted faces, all refracted through Wong’s singular prism of passion and longing. With fight sequences by the great and jaw-dropping photography from, it’s a hyper-sensory, elemental trip of a film, grounded in genre and elevated in style. The Blade (1995) Director Tsui Hark. The Blade (1995) While he was as it long before the American upstart came on the scene, Tsui Hark definitely shares something with in his contemporary retooling of genre cinema to his own singular specifications. The Blade is his grimy, brutal update of Chang Cheh’s One-armed Swordsman, clearly made in a bid to reclaim his wuxia crown from Wong Kar-wai in the wake of Ashes of Time.
Nonton Film Serial Mandarin Princess Agents
Moonlit battles are fought with nightmarish abstraction through Tsui’s expressive lighting schemes, his free-wheeling camera and inventive PoV shots effecting something akin to a Raimi/Argento visual smoothie. Much like his earlier hat-tip to King Hu, it’s a world-view that The Blade borrows from Chang Cheh. The cynicism may belong to Chang, but the furious kineticism and blood-drenched insanity of the choreography are entirely Tsui’s. Crouching Tiger, Hidden Dragon (2000) Director Ang Lee. Crouching Tiger, Hidden Dragon (2000) Despite the wealth of talent involved on both sides of the camera, there’s little escaping the fact that is essentially the Titanic of modern wuxia cinema. An international co-production steeped in melodrama, it’s not that it’s inauthentic exactly, more that its machine-tooled for mainstream crossover appeal. Crossover it certainly did, winning four of it’s 10 Oscar nominations, even if it famously failed to set the box office alight with Chinese audiences.
There’s an undeniable elegance to Ang Lee’s direction even through the film’s amorous longueurs, and while the eyelid-threatening, pan-pipe moods of Dun Tan’s score often invite the occasional blackout, ’s fight choreography is suitably timed to pull one back from the brink. Notable for its explicitly feminist take on the genre, there’s plenty here to enjoy, if little to trouble the crowns of the best of its antecedents. Hero (2002) Director Zhang Yimou. Hero (2002) ’s melancholic paen to wuxia and fabric conditioner is nothing if not immaculately crafted. Its colour-coded, Rashomon-style flashbacks setting the stage for a series of ravishingly photographed fight sequences (lensed by Wong Kar-wai regular Christopher Doyle) as sensuous as they are politically and psychologically motivated.
Yet there’s more to than the immediate pleasures of its luxurious surfaces. Sporting an aesthetic rigour matched by the complexities of its Chinese-box narrative, it’s as steeped in ancient culture and philosophy as it is playful in its revisionist filtering of history through genre. Still, what surfaces! It may not finally be Zhang’s greatest achievement, but as a feast for the senses it sees him operating at the top of his game.
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